CUBISM as FORERUNNER of POP ART

A Comparative S‌tudy on Pop, Elite and Folk Art

Pop Art is the representative of a cultural identity that has been represented as a kind of art in the mid-twentieth century. It is based on the ordinary manifes‌tations of people’s lives, and by concentrating on media and propaganda it has become pervasive in a short time as if it is a newly emerged culture that has appeared not from the inside of community but from outside and by those sociol...

Video Cubism

We present new non-photorealistic (NPR) rendering tools for video. Inspired by the Cubist and Futurist art movements that questioned previous notions of space and time within paintings, we view an input video as a space-time cube of data, rather than a series of static frames. Our tools process the video as a whole to produce a set of stroke-solids, units for rendering that appear over multiple...

Evolving Pop Art Using Scalable Vector Graphics

In this paper we present our findings of our continued investigation into the use of Scalable Vector Graphics as a genotype representation in evolutionary art. In previous work we investigated the feasibility of SVG as a genetic representation for evolutionary art, and found that the representation was very flexible, but that the potential visual output was somewhat limited by the simplicity of...

Pop Art and the Origins of Post-Modernism

Cubism and Research Synthesis

Cubist art movement of fracturing objects into geometric shapes. The term cubism draws on the art critic Louis Vauxcelles’ reference to the bizarre cubes he saw in budding artwork that fragmented form into interlocking blocks. Many Cubists reduced objects into cylinders, spheres, and cones and painted them in a single plane as if all faces of an object are visible simultaneously or successively...